glitchee:

Original image 10000px by 10000px blank white JPG, converted to WAV, back to JPG, back to WAV, back to JPG.
Opened in photoshop (resized to 5000px by 5000px only because photoshop crashed when I did it at the full size) selective 500px by 500px cropping to create a tracking style image when exported as an animated gif.

glitchee:

Original image 10000px by 10000px blank white JPG, converted to WAV, back to JPG, back to WAV, back to JPG.

Opened in photoshop (resized to 5000px by 5000px only because photoshop crashed when I did it at the full size) selective 500px by 500px cropping to create a tracking style image when exported as an animated gif.


glitchee:

Glitch remix of bazaarmovingpicture.

glitchee:

Glitch remix of bazaarmovingpicture.



Chiha Gregory. Sans Titre, 2007. Oil on canvas.

Chiha Gregory. Sans Titre, 2007. Oil on canvas.

(Source: darksilenceinsuburbia, via angrywhistler)


bblacha:

15-January-_Woman and Her Hands by -Oona Leganovic- #flickstackr Here I first drew her hands, because I thought she’d notice if I drew her face, as she was sitting right in front of me. But after the hands I grew bold.
Flickr: http://flic.kr/p/7Cdckr

bblacha:

15-January-_Woman and Her Hands by -Oona Leganovic- #flickstackr Here I first drew her hands, because I thought she’d notice if I drew her face, as she was sitting right in front of me. But after the hands I grew bold.

Flickr: http://flic.kr/p/7Cdckr

(via alongtimealone)


lizziebass:

kangaroos like to wear kilts

lizziebass:

kangaroos like to wear kilts


toomuchart:

Pablo Picasso, Ink drawing, 1931.

toomuchart:

Pablo Picasso, Ink drawing, 1931.


sculpture-center:

Phillip Stearns, DCP_0267, 2012. 9” x 6”. Digital C-Print.RECOMMENDED: A Camera Darkly, curated by A. E. Benenson and featuring the work of Phillip Stearns and Christian de Vietri, is currently on view at The Camera Club of New York (336 West 37th Street, Suite 206) through June 23, 2012. The work on display engages early photographic techniques and the genre’s more contemporary forms. Stearns rewires a digital camera’s photosensitive chips to respond to electric pulses instead of light. The resulting images resemble 19th Century light-less entoptic images. De Vietri submits a series of Gustave Doré black and white lithographs to a scanner, which translates the prints into waves of color, suggesting a complex relationship between printmaking and digital production. 

sculpture-center:

Phillip Stearns, DCP_0267, 2012. 9” x 6”. Digital C-Print.

RECOMMENDED: A Camera Darkly, curated by A. E. Benenson and featuring the work of Phillip Stearns and Christian de Vietri, is currently on view at The Camera Club of New York (336 West 37th Street, Suite 206) through June 23, 2012. The work on display engages early photographic techniques and the genre’s more contemporary forms. Stearns rewires a digital camera’s photosensitive chips to respond to electric pulses instead of light. The resulting images resemble 19th Century light-less entoptic images. De Vietri submits a series of Gustave Doré black and white lithographs to a scanner, which translates the prints into waves of color, suggesting a complex relationship between printmaking and digital production. 


glitchee:

I’m intrigued to see if this uploads.
It’s a 10000px by 10000px JPG glitch. Saved with limited colour palette, as a single frame gif image.
It’s now 8982px by 8982px (I think)
Tumblr resized it :(

glitchee:

I’m intrigued to see if this uploads.

It’s a 10000px by 10000px JPG glitch. Saved with limited colour palette, as a single frame gif image.

It’s now 8982px by 8982px (I think)

Tumblr resized it :(


angrywhistler:

Владимир Семенский



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